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James Benning’s first film called The United States of America was a 1975 trip across the country, capturing its scenery through a car windshield. This second one also crisscrosses the nation, but without a car, carving it up instead into a series of static shots of just under two minutes, one for each state, presented alphabetically, from Heron Bay, Alabama to Kelly, Wyoming. The names of the places are nondescript, but the images attached to them are anything but, immaculately composed shots of landscape, cityscape and the spaces in between. As we move from A to Z, the images coalesce into a portrait of today’s USA, tracing out its fault lines almost in passing: fenced-off facilities, a river bed running dry, factories and refineries, run-down streets and gas stations, a camp under a bridge. The past is there too, seeping up through the songs and speeches that sporadically pierce the background noise or the motifs that evoke a whole career; the clouds, trains and cabins are stand-ins for films, not just states. As always, there’s time for more abstract thoughts too: each image may stand for a state, but representativity is slippery. Which state is more cinematic than the rest?星空影院桃花影院九九影院私人影院樱花影院星辰影院青柠影院神马影院三妹影院牛马影院金牌影院不要仇恨鬼怪相棒第五季行尸之惧第七季兄弟姐妹第三季逃亡之道眠山怪影永不分手城市炸弹物极必反夏福特轮到你了 特别篇爱情灵药糊涂侦探手机2003盛开的紫荆花非婚不可热血街区电影版：极恶王 续篇无家可归的小孩意大利人在俄罗斯的奇遇俄语领衔女主典籍里的中国变身侠阿奔第三季猪猡之王血誓一生守护梅格雷在蒙马特八卦掌之亢龙有悔
James Benning’s first film called The United States of America was a 1975 trip across the country, capturing its scenery through a car windshield. This second one also crisscrosses the nation, but without a car, carving it up instead into a series of static shots of just under two minutes, one for each state, presented alphabetically, from Heron Bay, Alabama to Kelly, Wyoming. The names of the places are nondescript, but the images attached to them are anything but, immaculately composed shots of landscape, cityscape and the spaces in between. As we move from A to Z, the images coalesce into a portrait of today’s USA, tracing out its fault lines almost in passing: fenced-off facilities, a river bed running dry, factories and refineries, run-down streets and gas stations, a camp under a bridge. The past is there too, seeping up through the songs and speeches that sporadically pierce the background noise or the motifs that evoke a whole career; the clouds, trains and cabins are stand-ins for films, not just states. As always, there’s time for more abstract thoughts too: each image may stand for a state, but representativity is slippery. Which state is more cinematic than the rest?星空影院桃花影院九九影院私人影院樱花影院星辰影院青柠影院神马影院三妹影院牛马影院金牌影院不要仇恨鬼怪相棒第五季行尸之惧第七季兄弟姐妹第三季逃亡之道眠山怪影永不分手城市炸弹物极必反夏福特轮到你了 特别篇爱情灵药糊涂侦探手机2003盛开的紫荆花非婚不可热血街区电影版：极恶王 续篇无家可归的小孩意大利人在俄罗斯的奇遇俄语领衔女主典籍里的中国变身侠阿奔第三季猪猡之王血誓一生守护梅格雷在蒙马特八卦掌之亢龙有悔