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James Benning’s first film called The United States of America was a 1975 trip across the country, capturing its scenery through a car windshield. This second one also crisscrosses the nation, but without a car, carving it up instead into a series of static shots of just under two minutes, one for each state, presented alphabetically, from Heron Bay, Alabama to Kelly, Wyoming. The names of the places are nondescript, but the images attached to them are anything but, immaculately composed shots of landscape, cityscape and the spaces in between. As we move from A to Z, the images coalesce into a portrait of today’s USA, tracing out its fault lines almost in passing: fenced-off facilities, a river bed running dry, factories and refineries, run-down streets and gas stations, a camp under a bridge. The past is there too, seeping up through the songs and speeches that sporadically pierce the background noise or the motifs that evoke a whole career; the clouds, trains and cabins are stand-ins for films, not just states. As always, there’s time for more abstract thoughts too: each image may stand for a state, but representativity is slippery. Which state is more cinematic than the rest?星空影院桃花影院九九影院私人影院樱花影院星辰影院青柠影院神马影院三妹影院牛马影院金牌影院三十而立我在人间当阎罗名人百态守诚者若叶时代冰川女王逐渐暖化蝙蝠侠：黑暗骑士 （国语版）欢迎来到蕾安家第一季篮球饭票妲己爬墙新娘年十八。撩动心弦暮色心迹勿忘我2014鼹鼠熟悉的触感绯闻女孩第三季石器时代养家之人深潜天子骄龙马路天使1928冲锋车国语审讯室：英国第二季现代狙击手 第一季妻子的浪漫旅行第三季爆炸头田中911：总统作战室
James Benning’s first film called The United States of America was a 1975 trip across the country, capturing its scenery through a car windshield. This second one also crisscrosses the nation, but without a car, carving it up instead into a series of static shots of just under two minutes, one for each state, presented alphabetically, from Heron Bay, Alabama to Kelly, Wyoming. The names of the places are nondescript, but the images attached to them are anything but, immaculately composed shots of landscape, cityscape and the spaces in between. As we move from A to Z, the images coalesce into a portrait of today’s USA, tracing out its fault lines almost in passing: fenced-off facilities, a river bed running dry, factories and refineries, run-down streets and gas stations, a camp under a bridge. The past is there too, seeping up through the songs and speeches that sporadically pierce the background noise or the motifs that evoke a whole career; the clouds, trains and cabins are stand-ins for films, not just states. As always, there’s time for more abstract thoughts too: each image may stand for a state, but representativity is slippery. Which state is more cinematic than the rest?星空影院桃花影院九九影院私人影院樱花影院星辰影院青柠影院神马影院三妹影院牛马影院金牌影院三十而立我在人间当阎罗名人百态守诚者若叶时代冰川女王逐渐暖化蝙蝠侠：黑暗骑士 （国语版）欢迎来到蕾安家第一季篮球饭票妲己爬墙新娘年十八。撩动心弦暮色心迹勿忘我2014鼹鼠熟悉的触感绯闻女孩第三季石器时代养家之人深潜天子骄龙马路天使1928冲锋车国语审讯室：英国第二季现代狙击手 第一季妻子的浪漫旅行第三季爆炸头田中911：总统作战室