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James Benning’s first film called The United States of America was a 1975 trip across the country, capturing its scenery through a car windshield. This second one also crisscrosses the nation, but without a car, carving it up instead into a series of static shots of just under two minutes, one for each state, presented alphabetically, from Heron Bay, Alabama to Kelly, Wyoming. The names of the places are nondescript, but the images attached to them are anything but, immaculately composed shots of landscape, cityscape and the spaces in between. As we move from A to Z, the images coalesce into a portrait of today’s USA, tracing out its fault lines almost in passing: fenced-off facilities, a river bed running dry, factories and refineries, run-down streets and gas stations, a camp under a bridge. The past is there too, seeping up through the songs and speeches that sporadically pierce the background noise or the motifs that evoke a whole career; the clouds, trains and cabins are stand-ins for films, not just states. As always, there’s time for more abstract thoughts too: each image may stand for a state, but representativity is slippery. Which state is more cinematic than the rest?星空影院桃花影院九九影院私人影院樱花影院星辰影院青柠影院神马影院三妹影院牛马影院金牌影院铠甲勇士之雅塔莱斯春之森林我想我愿意落凡尘牛敞亮还乡美国往事1984阿炳马到成功粤语裁缝师之家 第三季忍者乱太郎屋顶探险家一路生花2025爱你的基蒂神秘复仇者地下孩童动态漫画·我在末世捡属性真假警察斯巴达克斯：血与沙第一季坚强之岛暹罗厨房虚名假面部长我和她见习黑玫瑰血咒圣痕记忆小偷当爱情遇上科学家
James Benning’s first film called The United States of America was a 1975 trip across the country, capturing its scenery through a car windshield. This second one also crisscrosses the nation, but without a car, carving it up instead into a series of static shots of just under two minutes, one for each state, presented alphabetically, from Heron Bay, Alabama to Kelly, Wyoming. The names of the places are nondescript, but the images attached to them are anything but, immaculately composed shots of landscape, cityscape and the spaces in between. As we move from A to Z, the images coalesce into a portrait of today’s USA, tracing out its fault lines almost in passing: fenced-off facilities, a river bed running dry, factories and refineries, run-down streets and gas stations, a camp under a bridge. The past is there too, seeping up through the songs and speeches that sporadically pierce the background noise or the motifs that evoke a whole career; the clouds, trains and cabins are stand-ins for films, not just states. As always, there’s time for more abstract thoughts too: each image may stand for a state, but representativity is slippery. Which state is more cinematic than the rest?星空影院桃花影院九九影院私人影院樱花影院星辰影院青柠影院神马影院三妹影院牛马影院金牌影院铠甲勇士之雅塔莱斯春之森林我想我愿意落凡尘牛敞亮还乡美国往事1984阿炳马到成功粤语裁缝师之家 第三季忍者乱太郎屋顶探险家一路生花2025爱你的基蒂神秘复仇者地下孩童动态漫画·我在末世捡属性真假警察斯巴达克斯：血与沙第一季坚强之岛暹罗厨房虚名假面部长我和她见习黑玫瑰血咒圣痕记忆小偷当爱情遇上科学家