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James Benning’s first film called The United States of America was a 1975 trip across the country, capturing its scenery through a car windshield. This second one also crisscrosses the nation, but without a car, carving it up instead into a series of static shots of just under two minutes, one for each state, presented alphabetically, from Heron Bay, Alabama to Kelly, Wyoming. The names of the places are nondescript, but the images attached to them are anything but, immaculately composed shots of landscape, cityscape and the spaces in between. As we move from A to Z, the images coalesce into a portrait of today’s USA, tracing out its fault lines almost in passing: fenced-off facilities, a river bed running dry, factories and refineries, run-down streets and gas stations, a camp under a bridge. The past is there too, seeping up through the songs and speeches that sporadically pierce the background noise or the motifs that evoke a whole career; the clouds, trains and cabins are stand-ins for films, not just states. As always, there’s time for more abstract thoughts too: each image may stand for a state, but representativity is slippery. Which state is more cinematic than the rest?陌陌影视陌陌影视樱花影院6080影院鉴你所见：崖壁大战开心超人之英雄的心花翎飞盗五年规划丁丁历险记我在六扇门的日子网络杀人案热浪之外七十二家房客第十六部爹来靠回溯因果人民的名义火线狙击铠甲勇士刑天丫鬟不好惹博斯第五季郑成功马达加斯加的企鹅（粤语版）我们年轻，我们强大麦克维误区证书苏菲与朝阳美国谍梦第二季肥皂拼盘龙卷风末日
James Benning’s first film called The United States of America was a 1975 trip across the country, capturing its scenery through a car windshield. This second one also crisscrosses the nation, but without a car, carving it up instead into a series of static shots of just under two minutes, one for each state, presented alphabetically, from Heron Bay, Alabama to Kelly, Wyoming. The names of the places are nondescript, but the images attached to them are anything but, immaculately composed shots of landscape, cityscape and the spaces in between. As we move from A to Z, the images coalesce into a portrait of today’s USA, tracing out its fault lines almost in passing: fenced-off facilities, a river bed running dry, factories and refineries, run-down streets and gas stations, a camp under a bridge. The past is there too, seeping up through the songs and speeches that sporadically pierce the background noise or the motifs that evoke a whole career; the clouds, trains and cabins are stand-ins for films, not just states. As always, there’s time for more abstract thoughts too: each image may stand for a state, but representativity is slippery. Which state is more cinematic than the rest?陌陌影视陌陌影视樱花影院6080影院鉴你所见：崖壁大战开心超人之英雄的心花翎飞盗五年规划丁丁历险记我在六扇门的日子网络杀人案热浪之外七十二家房客第十六部爹来靠回溯因果人民的名义火线狙击铠甲勇士刑天丫鬟不好惹博斯第五季郑成功马达加斯加的企鹅（粤语版）我们年轻，我们强大麦克维误区证书苏菲与朝阳美国谍梦第二季肥皂拼盘龙卷风末日