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James Benning’s first film called The United States of America was a 1975 trip across the country, capturing its scenery through a car windshield. This second one also crisscrosses the nation, but without a car, carving it up instead into a series of static shots of just under two minutes, one for each state, presented alphabetically, from Heron Bay, Alabama to Kelly, Wyoming. The names of the places are nondescript, but the images attached to them are anything but, immaculately composed shots of landscape, cityscape and the spaces in between. As we move from A to Z, the images coalesce into a portrait of today’s USA, tracing out its fault lines almost in passing: fenced-off facilities, a river bed running dry, factories and refineries, run-down streets and gas stations, a camp under a bridge. The past is there too, seeping up through the songs and speeches that sporadically pierce the background noise or the motifs that evoke a whole career; the clouds, trains and cabins are stand-ins for films, not just states. As always, there’s time for more abstract thoughts too: each image may stand for a state, but representativity is slippery. Which state is more cinematic than the rest?星空影院桃花影院九九影院私人影院樱花影院星辰影院青柠影院神马影院三妹影院牛马影院金牌影院多姆第二季人间世 第二季绝对零度～情报犯罪紧急搜查～可可西里琳达·麦卡特尼单挑荒野第三季冲锋雁鸿岭下七天地狱一首诗就是一个裸体的人无尽的欲五十2015终极标靶第二滴血冒牌杀手幽灵樟宜山村风月耀眼总裁在上8：偏执爱成狂皮皮鲁和鲁西西之309暗室别逼我结婚春秋封神人生真美丽国语外道之歌极速舰艇国语
James Benning’s first film called The United States of America was a 1975 trip across the country, capturing its scenery through a car windshield. This second one also crisscrosses the nation, but without a car, carving it up instead into a series of static shots of just under two minutes, one for each state, presented alphabetically, from Heron Bay, Alabama to Kelly, Wyoming. The names of the places are nondescript, but the images attached to them are anything but, immaculately composed shots of landscape, cityscape and the spaces in between. As we move from A to Z, the images coalesce into a portrait of today’s USA, tracing out its fault lines almost in passing: fenced-off facilities, a river bed running dry, factories and refineries, run-down streets and gas stations, a camp under a bridge. The past is there too, seeping up through the songs and speeches that sporadically pierce the background noise or the motifs that evoke a whole career; the clouds, trains and cabins are stand-ins for films, not just states. As always, there’s time for more abstract thoughts too: each image may stand for a state, but representativity is slippery. Which state is more cinematic than the rest?星空影院桃花影院九九影院私人影院樱花影院星辰影院青柠影院神马影院三妹影院牛马影院金牌影院多姆第二季人间世 第二季绝对零度～情报犯罪紧急搜查～可可西里琳达·麦卡特尼单挑荒野第三季冲锋雁鸿岭下七天地狱一首诗就是一个裸体的人无尽的欲五十2015终极标靶第二滴血冒牌杀手幽灵樟宜山村风月耀眼总裁在上8：偏执爱成狂皮皮鲁和鲁西西之309暗室别逼我结婚春秋封神人生真美丽国语外道之歌极速舰艇国语