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James Benning’s first film called The United States of America was a 1975 trip across the country, capturing its scenery through a car windshield. This second one also crisscrosses the nation, but without a car, carving it up instead into a series of static shots of just under two minutes, one for each state, presented alphabetically, from Heron Bay, Alabama to Kelly, Wyoming. The names of the places are nondescript, but the images attached to them are anything but, immaculately composed shots of landscape, cityscape and the spaces in between. As we move from A to Z, the images coalesce into a portrait of today’s USA, tracing out its fault lines almost in passing: fenced-off facilities, a river bed running dry, factories and refineries, run-down streets and gas stations, a camp under a bridge. The past is there too, seeping up through the songs and speeches that sporadically pierce the background noise or the motifs that evoke a whole career; the clouds, trains and cabins are stand-ins for films, not just states. As always, there’s time for more abstract thoughts too: each image may stand for a state, but representativity is slippery. Which state is more cinematic than the rest?星空影院桃花影院九九影院私人影院樱花影院星辰影院青柠影院神马影院三妹影院牛马影院金牌影院相棒 第23季浮云世事偶然盾牌第七季旋涡1949共闯天涯国语版双峰第一季我的室友是狐仙血中血1983红海盗1952指尖传出的真挚热情2-恋人是消防员-农家女婿和千金媳妇我的A级秘密财星高照天外天小子我讨厌圣诞节第一季福运之人珍贵的宝石真·鲛岛事件只在想死的夜晚特别篇夺命狂蜂使命召唤死亡高潮谁动了我的校花浮尘下的枪声
James Benning’s first film called The United States of America was a 1975 trip across the country, capturing its scenery through a car windshield. This second one also crisscrosses the nation, but without a car, carving it up instead into a series of static shots of just under two minutes, one for each state, presented alphabetically, from Heron Bay, Alabama to Kelly, Wyoming. The names of the places are nondescript, but the images attached to them are anything but, immaculately composed shots of landscape, cityscape and the spaces in between. As we move from A to Z, the images coalesce into a portrait of today’s USA, tracing out its fault lines almost in passing: fenced-off facilities, a river bed running dry, factories and refineries, run-down streets and gas stations, a camp under a bridge. The past is there too, seeping up through the songs and speeches that sporadically pierce the background noise or the motifs that evoke a whole career; the clouds, trains and cabins are stand-ins for films, not just states. As always, there’s time for more abstract thoughts too: each image may stand for a state, but representativity is slippery. Which state is more cinematic than the rest?星空影院桃花影院九九影院私人影院樱花影院星辰影院青柠影院神马影院三妹影院牛马影院金牌影院相棒 第23季浮云世事偶然盾牌第七季旋涡1949共闯天涯国语版双峰第一季我的室友是狐仙血中血1983红海盗1952指尖传出的真挚热情2-恋人是消防员-农家女婿和千金媳妇我的A级秘密财星高照天外天小子我讨厌圣诞节第一季福运之人珍贵的宝石真·鲛岛事件只在想死的夜晚特别篇夺命狂蜂使命召唤死亡高潮谁动了我的校花浮尘下的枪声