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James Benning’s first film called The United States of America was a 1975 trip across the country, capturing its scenery through a car windshield. This second one also crisscrosses the nation, but without a car, carving it up instead into a series of static shots of just under two minutes, one for each state, presented alphabetically, from Heron Bay, Alabama to Kelly, Wyoming. The names of the places are nondescript, but the images attached to them are anything but, immaculately composed shots of landscape, cityscape and the spaces in between. As we move from A to Z, the images coalesce into a portrait of today’s USA, tracing out its fault lines almost in passing: fenced-off facilities, a river bed running dry, factories and refineries, run-down streets and gas stations, a camp under a bridge. The past is there too, seeping up through the songs and speeches that sporadically pierce the background noise or the motifs that evoke a whole career; the clouds, trains and cabins are stand-ins for films, not just states. As always, there’s time for more abstract thoughts too: each image may stand for a state, but representativity is slippery. Which state is more cinematic than the rest?陌陌影视陌陌影视樱花影院6080影院爱的锦囊妙计拳坛林哥：光荣陨落第一季渴水钟声嫉妒的女孩偷桃贼海上浮城杨家将彩虹老爸纸钞屋 第一季欢喜一家人之家族荣耀妈妈，晚餐吃什么？吉基拉格恶魔托尔金她们，他们昔有琉璃瓦死亡录像4：启示录华盛顿城堡的圣徒歌之☆王子殿下：真爱传说之星最后判决粤语版刺客公会突然有一天之2月29日深夜食堂2009铜雀台恶名
James Benning’s first film called The United States of America was a 1975 trip across the country, capturing its scenery through a car windshield. This second one also crisscrosses the nation, but without a car, carving it up instead into a series of static shots of just under two minutes, one for each state, presented alphabetically, from Heron Bay, Alabama to Kelly, Wyoming. The names of the places are nondescript, but the images attached to them are anything but, immaculately composed shots of landscape, cityscape and the spaces in between. As we move from A to Z, the images coalesce into a portrait of today’s USA, tracing out its fault lines almost in passing: fenced-off facilities, a river bed running dry, factories and refineries, run-down streets and gas stations, a camp under a bridge. The past is there too, seeping up through the songs and speeches that sporadically pierce the background noise or the motifs that evoke a whole career; the clouds, trains and cabins are stand-ins for films, not just states. As always, there’s time for more abstract thoughts too: each image may stand for a state, but representativity is slippery. Which state is more cinematic than the rest?陌陌影视陌陌影视樱花影院6080影院爱的锦囊妙计拳坛林哥：光荣陨落第一季渴水钟声嫉妒的女孩偷桃贼海上浮城杨家将彩虹老爸纸钞屋 第一季欢喜一家人之家族荣耀妈妈，晚餐吃什么？吉基拉格恶魔托尔金她们，他们昔有琉璃瓦死亡录像4：启示录华盛顿城堡的圣徒歌之☆王子殿下：真爱传说之星最后判决粤语版刺客公会突然有一天之2月29日深夜食堂2009铜雀台恶名