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James Benning’s first film called The United States of America was a 1975 trip across the country, capturing its scenery through a car windshield. This second one also crisscrosses the nation, but without a car, carving it up instead into a series of static shots of just under two minutes, one for each state, presented alphabetically, from Heron Bay, Alabama to Kelly, Wyoming. The names of the places are nondescript, but the images attached to them are anything but, immaculately composed shots of landscape, cityscape and the spaces in between. As we move from A to Z, the images coalesce into a portrait of today’s USA, tracing out its fault lines almost in passing: fenced-off facilities, a river bed running dry, factories and refineries, run-down streets and gas stations, a camp under a bridge. The past is there too, seeping up through the songs and speeches that sporadically pierce the background noise or the motifs that evoke a whole career; the clouds, trains and cabins are stand-ins for films, not just states. As always, there’s time for more abstract thoughts too: each image may stand for a state, but representativity is slippery. Which state is more cinematic than the rest?星空影院桃花影院九九影院私人影院樱花影院星辰影院青柠影院神马影院三妹影院牛马影院金牌影院我们的生活：罕见人群逃出无人岛我一直知道你去年夏天干了什么爱情走廊灰姑娘的魔法衣橱农村人闯上海乐斗之争霸江湖怪猫七月十三之龙婆鼠来宝2：明星俱乐部泰迪熊剧版第二季史官论鬼整人只有你2025表哥到粤语青春的懊悔生逢灿烂的日子恐怖绘本第三季小尸体坎农铜矿大湾仔的夜第二季养育奎托斯平步青云Teddy Boy海贼王剧场版Z初恋慢半拍泰坦尼克号
James Benning’s first film called The United States of America was a 1975 trip across the country, capturing its scenery through a car windshield. This second one also crisscrosses the nation, but without a car, carving it up instead into a series of static shots of just under two minutes, one for each state, presented alphabetically, from Heron Bay, Alabama to Kelly, Wyoming. The names of the places are nondescript, but the images attached to them are anything but, immaculately composed shots of landscape, cityscape and the spaces in between. As we move from A to Z, the images coalesce into a portrait of today’s USA, tracing out its fault lines almost in passing: fenced-off facilities, a river bed running dry, factories and refineries, run-down streets and gas stations, a camp under a bridge. The past is there too, seeping up through the songs and speeches that sporadically pierce the background noise or the motifs that evoke a whole career; the clouds, trains and cabins are stand-ins for films, not just states. As always, there’s time for more abstract thoughts too: each image may stand for a state, but representativity is slippery. Which state is more cinematic than the rest?星空影院桃花影院九九影院私人影院樱花影院星辰影院青柠影院神马影院三妹影院牛马影院金牌影院我们的生活：罕见人群逃出无人岛我一直知道你去年夏天干了什么爱情走廊灰姑娘的魔法衣橱农村人闯上海乐斗之争霸江湖怪猫七月十三之龙婆鼠来宝2：明星俱乐部泰迪熊剧版第二季史官论鬼整人只有你2025表哥到粤语青春的懊悔生逢灿烂的日子恐怖绘本第三季小尸体坎农铜矿大湾仔的夜第二季养育奎托斯平步青云Teddy Boy海贼王剧场版Z初恋慢半拍泰坦尼克号