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Few films examine the societal pressures and expectations faced by young women of colour in North America. The piercing and often anxious divide between cultural traditions versus independence and acceptance among white peers is an overwhelming experience that only those who have lived it are in a position to describe. In her impressive debut feature, Pakistani Canadian writer-director Haya Waseem explores the family dynamic in a new light. The result is personal, intimate, and brought to life by an exciting new voice in Canadian cinema. Sheila (Arooj Azeem) is a Pakistani Canadian teenager living in the suburbs. Nearing the end of first-year university and having fallen in love for the first time, with her classmate Eden, Sheila desires a freedom that her mother and father (played by Azeem’s real-life parents) are unwilling to offer. After Sheila loses her virginity to Eden, he abruptly breaks up with her, and her sense of reality begins to unravel, further alienating her from her friends, family, and community. Azeem delivers an impressive breakout performance as a woman finding autonomy and individuality while trying to simply belong. Quickening is a reminder that immigrants and their children, in particular people of colour, who are adjusting to a new life, new goals, and new expectations can also struggle with their mental health. We’re not just happy to be here. With exquisite photography from Christopher Lew, Waseem has crafted a delicate yet triumphant portrayal of a young woman, through all obstacles, caught in the pursuit of happiness.
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#TIFF2021
一个学舞蹈的亚裔女孩与一个白人男生相恋,随后经历了心碎和家庭动荡……IMDb评分6.5 烂番茄新鲜度88% 熟了(包括英语和乌尔都语),转战下一个~
89.59
its been some time (definitely makes me wanna finish my long overdue fever dream...but its so long! TT
還行⋯
#TIFF 2021# DISCOVERY。世界首映。女导演首作。加拿大巴基斯坦裔移民少女的家庭与生活,当然是性别议题,女性受到的压力(片名是个不错的梗),新一代移民接受了当地文化之后和老一辈之间的张力等等……拍得比较学生气,好在还谈了一丢丢经济问题以及男性的“尊严”等等,对巴基斯坦裔社群有不错的描写;最后落在通过生活领悟了舞蹈艺术的“传递信息”上也还算挺好。
移民年轻女性的成长经历与现实问题,内容都不新鲜,不过电影的表现手法更注重传达主人公的心境和状态。
VIFF2021. Connect. "you can't get away from absent". "learn to self-translate" ,可能是被舞蹈那段误导了,看了一半在自我怀疑,why why why 会挑这部... 尤其在那么多好像更有意思的题材里面
移民故事中的身份探索以及成长中初尝禁果的面对,其实并不算重点;未曾在冲突与撕裂里选择过度停留,走向有点出人意料,但也随即陷入一种空白【对照起来《海鳝》就更优秀】。好在视觉对复杂心境的呈现以及情绪聚焦有种超出预期的顺滑,也算填补了本身的单薄。