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Harry Moseby (Gene Hackman), a worn-out private detective, is hired to look for a 16-year-old girl who has run away from the luxury home of her mother, formerly a small-time actress in Los Angeles. The more the weary cynic tries to get under the surface of the seemingly simple case, the harder it is for him to find his bearings among the lies and deceptions that surround him. Eight years after the key New Hollywood film Bonnie and Clyde, Arthur Penn and Gene Hackman reunited to collaborate on what was to become one of the most undervalued films of the decade. Like Polanski in Chinatown or Altman in The Long Goodbye, in his revisionist film noir, Penn also allows the 1940s classic genre to pervade the complex reality of the 1970s. The feelings of bitterness and emptiness in the modern Chandleresque protagonist originate not only in the “public” sphere of the strange, increasingly convoluted case, but in his private life as well (boyhood trauma, a broken marriage). As Moseby remarks of a sporting event, “nobody’s winning … one side is just losing slower than the other.”陌陌影视陌陌影视樱花影院6080影院刺客荣耀—荆轲校园G大调京城81号2（粤语）杰夫·邓纳姆：我旁边那位蛇的秘密奉土地之名月神2011七侠五义总裁请放过我美丽的家地狱佳人黑色星期五829 1蜡笔小新：呼风唤雨！会唱歌的屁股炸弹小龙女扭曲的青春心寒玉昭令 第一季略解风情秘密部队第三季阿德晒命管弦乐队模范刑警第二季梅山奇案玛莎·约翰逊的死与生亚博2019
Harry Moseby (Gene Hackman), a worn-out private detective, is hired to look for a 16-year-old girl who has run away from the luxury home of her mother, formerly a small-time actress in Los Angeles. The more the weary cynic tries to get under the surface of the seemingly simple case, the harder it is for him to find his bearings among the lies and deceptions that surround him. Eight years after the key New Hollywood film Bonnie and Clyde, Arthur Penn and Gene Hackman reunited to collaborate on what was to become one of the most undervalued films of the decade. Like Polanski in Chinatown or Altman in The Long Goodbye, in his revisionist film noir, Penn also allows the 1940s classic genre to pervade the complex reality of the 1970s. The feelings of bitterness and emptiness in the modern Chandleresque protagonist originate not only in the “public” sphere of the strange, increasingly convoluted case, but in his private life as well (boyhood trauma, a broken marriage). As Moseby remarks of a sporting event, “nobody’s winning … one side is just losing slower than the other.”陌陌影视陌陌影视樱花影院6080影院刺客荣耀—荆轲校园G大调京城81号2（粤语）杰夫·邓纳姆：我旁边那位蛇的秘密奉土地之名月神2011七侠五义总裁请放过我美丽的家地狱佳人黑色星期五829 1蜡笔小新：呼风唤雨！会唱歌的屁股炸弹小龙女扭曲的青春心寒玉昭令 第一季略解风情秘密部队第三季阿德晒命管弦乐队模范刑警第二季梅山奇案玛莎·约翰逊的死与生亚博2019