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Harry Moseby (Gene Hackman), a worn-out private detective, is hired to look for a 16-year-old girl who has run away from the luxury home of her mother, formerly a small-time actress in Los Angeles. The more the weary cynic tries to get under the surface of the seemingly simple case, the harder it is for him to find his bearings among the lies and deceptions that surround him. Eight years after the key New Hollywood film Bonnie and Clyde, Arthur Penn and Gene Hackman reunited to collaborate on what was to become one of the most undervalued films of the decade. Like Polanski in Chinatown or Altman in The Long Goodbye, in his revisionist film noir, Penn also allows the 1940s classic genre to pervade the complex reality of the 1970s. The feelings of bitterness and emptiness in the modern Chandleresque protagonist originate not only in the “public” sphere of the strange, increasingly convoluted case, but in his private life as well (boyhood trauma, a broken marriage). As Moseby remarks of a sporting event, “nobody’s winning … one side is just losing slower than the other.”星空影院桃花影院九九影院私人影院樱花影院星辰影院青柠影院神马影院三妹影院牛马影院金牌影院蛮国战笳声六指琴魔秋天的童话当男人恋爱时外星也难民第五季南家三姐妹红色警报顶楼魔法使光之美少女！刺痛我中国制造国民老公 第二季最佳女配：阿尔法之境暴动2015乱世微光第一季燃烧战车湘西诡事2024女大学生之死白宫管道工等爱回家哆啦A梦：大雄的月球探险记出嫁的妈妈僵局救援湘西剿匪记第二集亚洲怪谈家有父母我们在虚拟现实中相遇
Harry Moseby (Gene Hackman), a worn-out private detective, is hired to look for a 16-year-old girl who has run away from the luxury home of her mother, formerly a small-time actress in Los Angeles. The more the weary cynic tries to get under the surface of the seemingly simple case, the harder it is for him to find his bearings among the lies and deceptions that surround him. Eight years after the key New Hollywood film Bonnie and Clyde, Arthur Penn and Gene Hackman reunited to collaborate on what was to become one of the most undervalued films of the decade. Like Polanski in Chinatown or Altman in The Long Goodbye, in his revisionist film noir, Penn also allows the 1940s classic genre to pervade the complex reality of the 1970s. The feelings of bitterness and emptiness in the modern Chandleresque protagonist originate not only in the “public” sphere of the strange, increasingly convoluted case, but in his private life as well (boyhood trauma, a broken marriage). As Moseby remarks of a sporting event, “nobody’s winning … one side is just losing slower than the other.”星空影院桃花影院九九影院私人影院樱花影院星辰影院青柠影院神马影院三妹影院牛马影院金牌影院蛮国战笳声六指琴魔秋天的童话当男人恋爱时外星也难民第五季南家三姐妹红色警报顶楼魔法使光之美少女！刺痛我中国制造国民老公 第二季最佳女配：阿尔法之境暴动2015乱世微光第一季燃烧战车湘西诡事2024女大学生之死白宫管道工等爱回家哆啦A梦：大雄的月球探险记出嫁的妈妈僵局救援湘西剿匪记第二集亚洲怪谈家有父母我们在虚拟现实中相遇