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James Benning’s first film called The United States of America was a 1975 trip across the country, capturing its scenery through a car windshield. This second one also crisscrosses the nation, but without a car, carving it up instead into a series of static shots of just under two minutes, one for each state, presented alphabetically, from Heron Bay, Alabama to Kelly, Wyoming. The names of the places are nondescript, but the images attached to them are anything but, immaculately composed shots of landscape, cityscape and the spaces in between. As we move from A to Z, the images coalesce into a portrait of today’s USA, tracing out its fault lines almost in passing: fenced-off facilities, a river bed running dry, factories and refineries, run-down streets and gas stations, a camp under a bridge. The past is there too, seeping up through the songs and speeches that sporadically pierce the background noise or the motifs that evoke a whole career; the clouds, trains and cabins are stand-ins for films, not just states. As always, there’s time for more abstract thoughts too: each image may stand for a state, but representativity is slippery. Which state is more cinematic than the rest?陌陌影视陌陌影视滚出我地盘战争游戏1983海军陆战队员黑色复活节地球大战蜘蛛地狱洞吞噬太阳步步惊心2010寅次郎的故事28：寅次郎纸帆船谁都渴望遇见你我们永不死亡刀剑笑新传之花魁格林第四季监察的一条先生我妈不是高校生穿越火线耶稣音乐坏东西罪恶烙印导弹煎蛋多啦A梦新番水田版换脸·幻梦成真丛林OSS117之里约谍影约会实验室：巴西篇蔷薇的葬礼
James Benning’s first film called The United States of America was a 1975 trip across the country, capturing its scenery through a car windshield. This second one also crisscrosses the nation, but without a car, carving it up instead into a series of static shots of just under two minutes, one for each state, presented alphabetically, from Heron Bay, Alabama to Kelly, Wyoming. The names of the places are nondescript, but the images attached to them are anything but, immaculately composed shots of landscape, cityscape and the spaces in between. As we move from A to Z, the images coalesce into a portrait of today’s USA, tracing out its fault lines almost in passing: fenced-off facilities, a river bed running dry, factories and refineries, run-down streets and gas stations, a camp under a bridge. The past is there too, seeping up through the songs and speeches that sporadically pierce the background noise or the motifs that evoke a whole career; the clouds, trains and cabins are stand-ins for films, not just states. As always, there’s time for more abstract thoughts too: each image may stand for a state, but representativity is slippery. Which state is more cinematic than the rest?陌陌影视陌陌影视滚出我地盘战争游戏1983海军陆战队员黑色复活节地球大战蜘蛛地狱洞吞噬太阳步步惊心2010寅次郎的故事28：寅次郎纸帆船谁都渴望遇见你我们永不死亡刀剑笑新传之花魁格林第四季监察的一条先生我妈不是高校生穿越火线耶稣音乐坏东西罪恶烙印导弹煎蛋多啦A梦新番水田版换脸·幻梦成真丛林OSS117之里约谍影约会实验室：巴西篇蔷薇的葬礼