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A megalith rises from a sandy desert – or rather, a scale model of such a landscape. “I am the archive”, says a young female voice while ominous string music nails viewers to their seats. This opening sets the stage for the narrative and figurative language of Rithy Panh’s dense mnemonic essay which uses stunning dioramas to tell a twenty-first century dystopian story. After a century of genocidal ideologies and destructive speciesism, animals have enslaved humans and taken over the world. In a wave of hope, the statues of the past have been removed but new ones are being erected to suppress the will of the people. This is now a planet of apes, boars and lions, and a zoological revolution is reversing and recreating the atrocities of the 20th century. As animal figures watch the film archives of our world, it feels as if Lumière has been transported into a film by Méliès or Willis H. O’Brien. We are all well aware that history repeats itself first as tragedy, then as a farce. The time has now come for this farce, in which “political language inhabits our dreams and consumes us”, to allow the possibility of a “graceful and tender insubordination” to emerge.星空影院桃花影院九九影院私人影院樱花影院星辰影院青柠影院神马影院三妹影院牛马影院金牌影院偷来的女儿墨墨的爱情小喜剧太阴指梅艳芳导演剪辑版五行世家东京出租车矿工之子辛普森一家第三十季克隆天王机器人们彝海结盟2016第七码为歌而赞第二季尼尼·特豪克巴阿里亚红海魔影重影我是大明星确定地可能调皮小精灵清潭菩萨虎尾后妈许多多余烬之上滴血成金：硅谷血检大骗局我们的连队埋藏的真相：消失的德国女子
A megalith rises from a sandy desert – or rather, a scale model of such a landscape. “I am the archive”, says a young female voice while ominous string music nails viewers to their seats. This opening sets the stage for the narrative and figurative language of Rithy Panh’s dense mnemonic essay which uses stunning dioramas to tell a twenty-first century dystopian story. After a century of genocidal ideologies and destructive speciesism, animals have enslaved humans and taken over the world. In a wave of hope, the statues of the past have been removed but new ones are being erected to suppress the will of the people. This is now a planet of apes, boars and lions, and a zoological revolution is reversing and recreating the atrocities of the 20th century. As animal figures watch the film archives of our world, it feels as if Lumière has been transported into a film by Méliès or Willis H. O’Brien. We are all well aware that history repeats itself first as tragedy, then as a farce. The time has now come for this farce, in which “political language inhabits our dreams and consumes us”, to allow the possibility of a “graceful and tender insubordination” to emerge.星空影院桃花影院九九影院私人影院樱花影院星辰影院青柠影院神马影院三妹影院牛马影院金牌影院偷来的女儿墨墨的爱情小喜剧太阴指梅艳芳导演剪辑版五行世家东京出租车矿工之子辛普森一家第三十季克隆天王机器人们彝海结盟2016第七码为歌而赞第二季尼尼·特豪克巴阿里亚红海魔影重影我是大明星确定地可能调皮小精灵清潭菩萨虎尾后妈许多多余烬之上滴血成金：硅谷血检大骗局我们的连队埋藏的真相：消失的德国女子