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A megalith rises from a sandy desert – or rather, a scale model of such a landscape. “I am the archive”, says a young female voice while ominous string music nails viewers to their seats. This opening sets the stage for the narrative and figurative language of Rithy Panh’s dense mnemonic essay which uses stunning dioramas to tell a twenty-first century dystopian story. After a century of genocidal ideologies and destructive speciesism, animals have enslaved humans and taken over the world. In a wave of hope, the statues of the past have been removed but new ones are being erected to suppress the will of the people. This is now a planet of apes, boars and lions, and a zoological revolution is reversing and recreating the atrocities of the 20th century. As animal figures watch the film archives of our world, it feels as if Lumière has been transported into a film by Méliès or Willis H. O’Brien. We are all well aware that history repeats itself first as tragedy, then as a farce. The time has now come for this farce, in which “political language inhabits our dreams and consumes us”, to allow the possibility of a “graceful and tender insubordination” to emerge.陌陌影视陌陌影视樱花影院6080影院悄悄跟着我噩梦度假屋专精特新研究院寂寞的季节命运薄荷糖泰语横财三千万我是唱作人第一季逆风奔跑绍兴师爷速成男子汉黑花园赌神3之少年赌神粤语轮班12小时城外猎人为全人类第三季从海底出击 第二季让世界充满爱双性恋2018大唐狐妖传美丽大学自君别去 第三季节气唱游记迷失丛林
A megalith rises from a sandy desert – or rather, a scale model of such a landscape. “I am the archive”, says a young female voice while ominous string music nails viewers to their seats. This opening sets the stage for the narrative and figurative language of Rithy Panh’s dense mnemonic essay which uses stunning dioramas to tell a twenty-first century dystopian story. After a century of genocidal ideologies and destructive speciesism, animals have enslaved humans and taken over the world. In a wave of hope, the statues of the past have been removed but new ones are being erected to suppress the will of the people. This is now a planet of apes, boars and lions, and a zoological revolution is reversing and recreating the atrocities of the 20th century. As animal figures watch the film archives of our world, it feels as if Lumière has been transported into a film by Méliès or Willis H. O’Brien. We are all well aware that history repeats itself first as tragedy, then as a farce. The time has now come for this farce, in which “political language inhabits our dreams and consumes us”, to allow the possibility of a “graceful and tender insubordination” to emerge.陌陌影视陌陌影视樱花影院6080影院悄悄跟着我噩梦度假屋专精特新研究院寂寞的季节命运薄荷糖泰语横财三千万我是唱作人第一季逆风奔跑绍兴师爷速成男子汉黑花园赌神3之少年赌神粤语轮班12小时城外猎人为全人类第三季从海底出击 第二季让世界充满爱双性恋2018大唐狐妖传美丽大学自君别去 第三季节气唱游记迷失丛林