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A megalith rises from a sandy desert – or rather, a scale model of such a landscape. “I am the archive”, says a young female voice while ominous string music nails viewers to their seats. This opening sets the stage for the narrative and figurative language of Rithy Panh’s dense mnemonic essay which uses stunning dioramas to tell a twenty-first century dystopian story. After a century of genocidal ideologies and destructive speciesism, animals have enslaved humans and taken over the world. In a wave of hope, the statues of the past have been removed but new ones are being erected to suppress the will of the people. This is now a planet of apes, boars and lions, and a zoological revolution is reversing and recreating the atrocities of the 20th century. As animal figures watch the film archives of our world, it feels as if Lumière has been transported into a film by Méliès or Willis H. O’Brien. We are all well aware that history repeats itself first as tragedy, then as a farce. The time has now come for this farce, in which “political language inhabits our dreams and consumes us”, to allow the possibility of a “graceful and tender insubordination” to emerge.陌陌影视陌陌影视铁观音勇破爆炸党石碑灵异妙探第七季午夜阳光(2018)预谋猎杀变形金刚：领袖之证第一季待会儿见拍档营业中王牌美女特工夺命飞凤它是活尸3：活尸岛沙漠风暴拿破仑情史颜王汉娜(2017)南下南下艰难的英里数男人离婚致命通话2024坏血1986目露凶光摇曳露营△ 剧场版纸牌人生无人注目时白棉花成成烽火之营救行动猛鬼食人胎
A megalith rises from a sandy desert – or rather, a scale model of such a landscape. “I am the archive”, says a young female voice while ominous string music nails viewers to their seats. This opening sets the stage for the narrative and figurative language of Rithy Panh’s dense mnemonic essay which uses stunning dioramas to tell a twenty-first century dystopian story. After a century of genocidal ideologies and destructive speciesism, animals have enslaved humans and taken over the world. In a wave of hope, the statues of the past have been removed but new ones are being erected to suppress the will of the people. This is now a planet of apes, boars and lions, and a zoological revolution is reversing and recreating the atrocities of the 20th century. As animal figures watch the film archives of our world, it feels as if Lumière has been transported into a film by Méliès or Willis H. O’Brien. We are all well aware that history repeats itself first as tragedy, then as a farce. The time has now come for this farce, in which “political language inhabits our dreams and consumes us”, to allow the possibility of a “graceful and tender insubordination” to emerge.陌陌影视陌陌影视铁观音勇破爆炸党石碑灵异妙探第七季午夜阳光(2018)预谋猎杀变形金刚：领袖之证第一季待会儿见拍档营业中王牌美女特工夺命飞凤它是活尸3：活尸岛沙漠风暴拿破仑情史颜王汉娜(2017)南下南下艰难的英里数男人离婚致命通话2024坏血1986目露凶光摇曳露营△ 剧场版纸牌人生无人注目时白棉花成成烽火之营救行动猛鬼食人胎