O somma luce

HD中字

主演:Giorgio Passerone

类型:电影地区:法国语言:其它年份:2010

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 剧情介绍

O somma luce电影免费高清在线观看全集。
  转自:http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-avant-garde-jean-marie-straub  “The end of paradise on earth.”—Jean-Marie Straub  The 33rd verse and last chant of “paradise” in Dante’s Divine Comedy. The film starts with verse 67, “O somma luce…” and continues to the end. “O Somma luce” recalls the first words uttered by Empedocles in Danièle Huillet and Jean-Marie Straub’s 1987 The Death of Empedocles—“O himmlisch Licht!…” (O heavenly light!). This extract from Hölderlin’s text is also inserted into their 1989 film Cézanne.  “O somma luce” invokes utopia, or better still “u-topos,” Dante, Holderlin, Cézanne… the camera movement, recalling Sisyphus, in the film’s long shots, suggests its difficulty.  In O somma luce, with Giorgio Passerone’s Dante and the verse that concluded the Divine Comedy, we find at the extremity of its possibilities, the almost happy speech of a man who has just left earthly paradise, who tries to fully realize the potential of his nature. Between the two we find the story of the world. The first Jean-Marie Straub film shot in HD.  So singular are the textual working methods of Straub-Huillet, and now Straub on his own, that it is hard to grasp how far reaching they are. Direction is a matter of words and speech, not emotions and action. Nothing happens at the edges, everything is at the core and shines from there alone.  During the rehearsals we sense a slow process by which ingredients (a text, actors, an intuition) progress towards cohesiveness. It is, forgive the comparison, like the kneading of dough. It is the assembling and working of something until it becomes something else… and, in this case, starts to shine. Actually it’s very simple, it’s just a question of opening up to the light material that has been sealed up. Here, the process of kneading is to bring to life and then reveal. The material that is worked on is speech. So it is speech that becomes visible—nothing else. “Logos” comes to the cinema.  The mise en scène of what words exactly?  The process of revealing, “phainestai”; “phainomenon,” the phenomenon, is what take splace, what becomes visible to the eye.  Is “Straubie” Greece?  This mise en scène of speech, which goes beyond a close reading of the chosen text, is truly comes from a distant source.—Barbara Ulrich鸡皮疙瘩NO.4氪星第一季太阁记1987梦魇重现熟男要结婚大红包开心鬼撞鬼亚洲猛鬼实录意外的爱海豹突击队第六季某日某月丽芙和玛蒂第三季非凡的公主希瑞第三季暗夜第六感2041八角笼夺魂夫君,请自重边界风云超新星浩劫小姐弟荒原历险冰山一角孩子们2022家政夫三田园3嗜血法医:杀魔新生周六夜现场第三十七季蠢蛋搞怪秀我的X一样的20岁雨女 第四季 致命伴侣千金女佣虫暴危机吸血鬼日记 第一季太阳之子(2020)小鸡快跑2:鸡块新时代昆仑境花滑女王维琴河 第三季假面真情春风吹到诺敏河处子之山神鬼奇谋加布里埃尔与群山

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  • 看不见的城市
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坐立难安,心潮澎湃

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这所谓的无意义恰恰成为了一种意义

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Meilleure solution contre l’insomnie. Pas totalement inintéressant mais ce genre de film-essai indigeste n'est pas fait pour la salle.

15分钟前
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可惜没赶上Ranciere场

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6。瓦雷兹的全集似乎听过,诗歌欣赏不能

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待研究

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主角5个小时前坐我旁边抽完雪茄还冲我坏笑笑个毛

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不懂。。

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