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Triumphs and Laments documents one of contemporary artist William Kentridge’s most ambitious and controversial projects: a colossal frieze along the banks of the Tiber river in Rome portraying the glories and tragedies of the Eternal City that was commissioned in the summer of 2016. The film, shot with exclusive access to Kentridge over the course of two years from his home in South Africa to the center of Rome, details the artist’s vision and his creative process in developing a work of art that will disappear in just a few years.追日2004青蛇杀手党员二愣妈血脉呖咕呖咕对对碰（粤语）夺命高校超凡蜘蛛侠战国妖姬烈火男儿之了不起的消防兵脑残粉（国语版）女王闪电侠第二季我是你的女人大世界之旅第四季我的野蛮女友美国版运动天才安宰贤南国野兽假扮未婚夫做出来的爱我的世界人生纪念册寻味东莞合奏2020韩国版莎士比亚与哈撒韦：私人调查员第二季皇家马德里：直到终点欲望之城2001野探哈莉第一季世界第一初恋：横泽隆史的场合机器人艺妓远方的风蔚蓝深海2011城市乡巴佬2朋友傲骨贤妻第三季浪子回头1955真实与谎言：梅内德斯兄弟大冒险家（粤语）椰岛情仇小逃亡者1953传奇第二季棋山传奇神秘博士第九季
Triumphs and Laments documents one of contemporary artist William Kentridge’s most ambitious and controversial projects: a colossal frieze along the banks of the Tiber river in Rome portraying the glories and tragedies of the Eternal City that was commissioned in the summer of 2016. The film, shot with exclusive access to Kentridge over the course of two years from his home in South Africa to the center of Rome, details the artist’s vision and his creative process in developing a work of art that will disappear in just a few years.追日2004青蛇杀手党员二愣妈血脉呖咕呖咕对对碰（粤语）夺命高校超凡蜘蛛侠战国妖姬烈火男儿之了不起的消防兵脑残粉（国语版）女王闪电侠第二季我是你的女人大世界之旅第四季我的野蛮女友美国版运动天才安宰贤南国野兽假扮未婚夫做出来的爱我的世界人生纪念册寻味东莞合奏2020韩国版莎士比亚与哈撒韦：私人调查员第二季皇家马德里：直到终点欲望之城2001野探哈莉第一季世界第一初恋：横泽隆史的场合机器人艺妓远方的风蔚蓝深海2011城市乡巴佬2朋友傲骨贤妻第三季浪子回头1955真实与谎言：梅内德斯兄弟大冒险家（粤语）椰岛情仇小逃亡者1953传奇第二季棋山传奇神秘博士第九季
长篇影评
1 ) 今晚BBC对肯特里奇的访谈
"follow the less good idea; of course you start a rehearsal from something specific ; a music ; a choreography; but then on the edge of the carefully rehearsed, emerges something like a sparkle; an improvisation at the end of the choreography; you realise that the peripheral can be central. There's something political here, the big ideas, communism, capitalism, end of history, there is catastrophe lurking in big certainties. it's on the edge of those certainties that something organic might flourish. " (凭记忆，大意）。
太短了！肯特里奇在绘画、舞台、音乐以及表演，都太有品味了，更厉害的是对历史和城市记忆的关注……中国艺术家差太多。
创作部分介绍得较少，主要作纪录用
立体的艺术家
Wunderbar!
Kentridge真的让人不服不行，政治议题上的深刻与形式集大成的复合有机的程度实在太高，他在影片里有句说的好“我的工作室就像全世界”，各种图像音乐素材为他所驾驭，至少在音乐元素的混合生成上是我觉得目前最厉害的，对各个形式的语言的认识和控制力太猛，全才，综合性大师。
同行的观众觉得他“让罗马活起来”。不知道。感觉这个纪录片从一开始就把肯特里奇作为一个具体的“城市空间设计师”来讲，一开始就从功能性公共艺术来讲，基本上也是丢掉了肯特里奇的优势特征了。
give and forgive 项目总监因为一次醒悟为肯德里奇这个项目跑了10年，真不容易最后还是非常震撼，依然还是用柏拉图洞穴之喻，里面女歌手很霸气