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Harry Moseby (Gene Hackman), a worn-out private detective, is hired to look for a 16-year-old girl who has run away from the luxury home of her mother, formerly a small-time actress in Los Angeles. The more the weary cynic tries to get under the surface of the seemingly simple case, the harder it is for him to find his bearings among the lies and deceptions that surround him. Eight years after the key New Hollywood film Bonnie and Clyde, Arthur Penn and Gene Hackman reunited to collaborate on what was to become one of the most undervalued films of the decade. Like Polanski in Chinatown or Altman in The Long Goodbye, in his revisionist film noir, Penn also allows the 1940s classic genre to pervade the complex reality of the 1970s. The feelings of bitterness and emptiness in the modern Chandleresque protagonist originate not only in the “public” sphere of the strange, increasingly convoluted case, but in his private life as well (boyhood trauma, a broken marriage). As Moseby remarks of a sporting event, “nobody’s winning … one side is just losing slower than the other.”陌陌影视陌陌影视樱花影院6080影院落经山国与日本歌唱王爱情能用钱买吗只要我们在一起吸血莱恩我的会长大人特别篇水银侠混合宿舍2哔哩哔哩2024中秋节晚红色之子·单刀赴会童颜美女外来媳妇本地郎第四部世界唯一一个你星银岛加百列的地狱5明天的记忆诚实房地产Minerva 特别篇美人鱼1984成事在人无忧面包店第二部云南虫谷之献王传说未死之躯执爱惊奇队长（原声版）深漂之深圳湾恋人我的女神最后的夏天温州青年之海阔天空
Harry Moseby (Gene Hackman), a worn-out private detective, is hired to look for a 16-year-old girl who has run away from the luxury home of her mother, formerly a small-time actress in Los Angeles. The more the weary cynic tries to get under the surface of the seemingly simple case, the harder it is for him to find his bearings among the lies and deceptions that surround him. Eight years after the key New Hollywood film Bonnie and Clyde, Arthur Penn and Gene Hackman reunited to collaborate on what was to become one of the most undervalued films of the decade. Like Polanski in Chinatown or Altman in The Long Goodbye, in his revisionist film noir, Penn also allows the 1940s classic genre to pervade the complex reality of the 1970s. The feelings of bitterness and emptiness in the modern Chandleresque protagonist originate not only in the “public” sphere of the strange, increasingly convoluted case, but in his private life as well (boyhood trauma, a broken marriage). As Moseby remarks of a sporting event, “nobody’s winning … one side is just losing slower than the other.”陌陌影视陌陌影视樱花影院6080影院落经山国与日本歌唱王爱情能用钱买吗只要我们在一起吸血莱恩我的会长大人特别篇水银侠混合宿舍2哔哩哔哩2024中秋节晚红色之子·单刀赴会童颜美女外来媳妇本地郎第四部世界唯一一个你星银岛加百列的地狱5明天的记忆诚实房地产Minerva 特别篇美人鱼1984成事在人无忧面包店第二部云南虫谷之献王传说未死之躯执爱惊奇队长（原声版）深漂之深圳湾恋人我的女神最后的夏天温州青年之海阔天空