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A megalith rises from a sandy desert – or rather, a scale model of such a landscape. “I am the archive”, says a young female voice while ominous string music nails viewers to their seats. This opening sets the stage for the narrative and figurative language of Rithy Panh’s dense mnemonic essay which uses stunning dioramas to tell a twenty-first century dystopian story. After a century of genocidal ideologies and destructive speciesism, animals have enslaved humans and taken over the world. In a wave of hope, the statues of the past have been removed but new ones are being erected to suppress the will of the people. This is now a planet of apes, boars and lions, and a zoological revolution is reversing and recreating the atrocities of the 20th century. As animal figures watch the film archives of our world, it feels as if Lumière has been transported into a film by Méliès or Willis H. O’Brien. We are all well aware that history repeats itself first as tragedy, then as a farce. The time has now come for this farce, in which “political language inhabits our dreams and consumes us”, to allow the possibility of a “graceful and tender insubordination” to emerge.陌陌影视陌陌影视樱花影院6080影院固执的爱战狼特攻队泰坦尼克号2刚果惊魂（粤语版）完美妻子的完美复仇计划膝下人生张灯一世之尊讨厌你！朱丽叶废柴上路 第二季过往动态漫画·六宫风华第一季云机录·天关戏法图警戒之眼废城记母大虫顾大嫂歌舞大王齐格飞如父如子 2014贱人快跑九（粤语版）神圣之家只是文件上为男性
A megalith rises from a sandy desert – or rather, a scale model of such a landscape. “I am the archive”, says a young female voice while ominous string music nails viewers to their seats. This opening sets the stage for the narrative and figurative language of Rithy Panh’s dense mnemonic essay which uses stunning dioramas to tell a twenty-first century dystopian story. After a century of genocidal ideologies and destructive speciesism, animals have enslaved humans and taken over the world. In a wave of hope, the statues of the past have been removed but new ones are being erected to suppress the will of the people. This is now a planet of apes, boars and lions, and a zoological revolution is reversing and recreating the atrocities of the 20th century. As animal figures watch the film archives of our world, it feels as if Lumière has been transported into a film by Méliès or Willis H. O’Brien. We are all well aware that history repeats itself first as tragedy, then as a farce. The time has now come for this farce, in which “political language inhabits our dreams and consumes us”, to allow the possibility of a “graceful and tender insubordination” to emerge.陌陌影视陌陌影视樱花影院6080影院固执的爱战狼特攻队泰坦尼克号2刚果惊魂（粤语版）完美妻子的完美复仇计划膝下人生张灯一世之尊讨厌你！朱丽叶废柴上路 第二季过往动态漫画·六宫风华第一季云机录·天关戏法图警戒之眼废城记母大虫顾大嫂歌舞大王齐格飞如父如子 2014贱人快跑九（粤语版）神圣之家只是文件上为男性