极品基老伴第一季

正如越强大的人才越敢于表现脆弱，感情越是坚不可摧的恋人才越能肆无忌惮地狂涮对方，用两人之间专属的冷嘲热讽模式告诉对方：“I see you; I know you; I love everything you are”。 恶狠狠的唇枪舌剑其实是浓得散不开的恩爱情话。

而当另一半受到来自他人的攻击，无论Freddie还是Stuart都会挺身而出，用不容置疑的口气维护赞美对方。

印象最深的一个情节是，Freddie怀疑Stuart在外面偷吃跟踪他，发现Stuart其实为了给他买大衣偷偷打工。看到这里还以为Freddie会表示惭愧，结果他恍然大悟之余对Stuart的付出欣然接受，照单全收。这种大大方方、平衡契合的施受关系看着太舒服了。

无数恶毒玩笑中最多最妙的，就是两人天天变着法儿讥讽对方“老不死”。当衰老成为无法逃避的生活主题，干脆把它变成一个梗，一起把它玩坏。XD

还有这剧里的衣服真有范，两个老爷爷都很帅气。

比较败笔的是Ash的出镜挺生硬，像道具一样被安插进来，供众老油条调戏。

    中国古人夫妻间相处融洽 感情和睦 常常称之为琴瑟之好 ，现代人讲夫妻关系好，又多是说沟通融洽 彼此温柔 。这些既有标准放到这对相处49年的伴侣身上好像完全变了个样。可以一见面就问候对方是不是已驾鹤归去，各种吐糟互黑，虽然常常有会玩的过界伤了对方自尊 ， 即使撂下狠话：”我觉得我们可能跨不过这道坎了。“可只要对方一说对不起 也就立马好了 。生活与他们不是一部沉闷的伦理剧，只有畅所欲言的毒舌和始终一直在的爱。
    我不想强调这是一部gay剧， 这也同样不是这部的的亮点。因为同样的感情和关系放在一对异性恋上一样是成立的，只要两人也有这样到晚年依然惊人的幽默感和活力。我也不想仅仅全文都说的是羡慕的话，毕竟那是电视剧 ，因为有编剧的细细研磨，演员的出色表扬 和那能打出活力的灯光摄影化妆 所有其他一起配合得当的因素，这一切才看起来那么紧凑和精彩。即使是这样有着喜剧标签的剧 ，我还是看出了那步入晚年的哀愁，费雷迪工作锐减收入不够买一件得体的大衣来出席自己十分看重的影迷会，可是英国绅士的风格不能改变 ，依然要每天喝茶邀为数不多的几个老朋友谈天，斯图尔特却悄悄出去打工 ，哪怕是要被年轻人叫去打扫员工厕所，在他看来那个在一起多年爱人的感受远远甚于自己的得失。故事是很感人，却也不得不散发出晚年生活的辛酸的味道。
   这部剧在中国观众的视角来看，最值得关注老年人自己的生活。因为是同性的恋人，也就没有孩子的牵绊，因为有相对宽容的社会态度，即使是隐瞒了快一辈子的斯图尔特的妈妈知道真相后，也不过昏厥一下，叹口气说声”好吧 祝贺你 。“外加抱怨几句食物多么难吃的话走开了，他们的生活没有太多外界的干扰，这大概是晚年生活的趋于平静。
   生活的重心逐渐回归自己，时间也就这么悄无声息地慢慢经过，虽然老年没有年轻那么活色生香 精力充沛 ，倒也有越发优雅的举止和炉火纯青的毒舌功力 。
   

同性恋，我向来认为没什么不可说的，但还是为他们的生活感到担忧，无论在哪里，很少有同性恋者有固定的同性伴侣，而且是很多很多年，甚至结婚。所以我从不深入现实世界看同性恋者们的信息。我喜欢看小说，耽美的，只看喜剧，因为我希望同性恋也好，异性恋也好，我只愿天下有情人终成眷属。很感动，即使他们那样互相讽刺，看起来就像前世有杀子之仇夺妻之恨似的，但在各种语言后，他们还是会在一起，互相拥抱，亲吻，仿佛之前的剑拔掳张都不存在一样，会因为怕对方担心，不说出自己现在的困窘，会为对方偷偷做点什么。就像他们还是热恋一样。我很喜欢。

这部剧的司徒和弗雷迪是继梅林和二瑟，卷福和花生后最喜欢的CP之一。英剧卖腐又一次刷新了它的节操下线，从直男演Gay,到两个出柜的男演员演一对Gay的老年日常生活。
　　不需要任何宏大的场面，两个老爷爷一个客厅就可以撑起一部剧了。
　　
　　司徒敏感 善良 小别扭。虽然总是毒舌，但是当男朋友事业低潮的时候奉上无条件的支持和赞美，去当售货员给弗雷迪卖一身出席的风衣。当被欺负的委屈含泪时，对方一个sorry 就立刻破涕为笑原谅了。
　　
　　弗雷迪真是霸道 自负 毒舌 优雅 的女王呀。如同幼儿园小男生对喜欢的女生只会恶作剧，他每次毒舌司徒把他批评的一无是处，看着男朋友捂着小嘴，泪奔而去，露出淡淡微笑。但是总是会在最关键的时候站出来给司徒无限的勇气。
　　
　　弗雷迪说：He is the most wonderful man in the world and I am proud to call him my lover.
　　司徒睁大着眼睛充满崇拜地望着弗雷迪，听那个49年来不停和自己作对的人说爱他，他的小心肝开始颤抖呀颤抖了。
　　于是，那些毒舌都变成充满爱的调情。
　　对弗雷迪来讲，司徒是他的男朋友，就意味着，只有他可以毒舌，欺负，其他任何人都不可以，哪怕那个任何人是丈母娘，他也会为爱的人奋起反击。
　　这样的爱人，让人无论何时都可以充满信任，可以相伴到老呀。
　　作为一个一点不敏感纤细的女汉子，看完之后还是不禁感慨：
　　幸福就是毒舌老伴和老狗呀。

         2016/7/13 下午7:49
     我是喜欢英语的人，但是却真的没有看过任何美剧，每次听别人聊美剧都觉得自己是局外人，曾经也想附庸风雅，于是去搜索他们口中的香饽饽各种美剧，但都坚持不了5分钟，就忍不下去了。
     这不？又闲了，除去看书，上网实在没有事情做，我一直不明白有人离不开网，因为我不知道上网我应该干什么，我上网会想个傻瓜一样，我对娱乐，体育，金融，赚钱，游戏，网购，世界各地的天灾人祸都不敢兴趣。
想起最近收到的诈骗短信和邮件，对方都是用我的身份信息，推算我的年龄和可能遇见的问题，模仿情侣，模仿领导，模仿某网站给我发信息都让我哭笑不得：
您孩子的分数——我孩子，呵呵；
你领导。。。。。。——我领导，呵呵；
你和某某的视频——我，呵呵；
因为你最近在某网站的贡献——我至少半年没有上那个网站了，哪有贡献？他们不知道某网站关闭对XJ的开放吗？呵呵。
技术含量这样的骗局这么多，大家都这么缺钱？

话说这个英剧，这是我唯一看过的英剧，昨天竟然看完了一季，原因很简单，一季一共6集，半小时一集很过瘾，这6集的长度合计也就不足一部印度电影的长度，哈。

好看在哪里？
英式幽默比美式幽默高级？我也没有看过美剧，根本不知道什么美式幽默，无法对比。
虽然和外国人共事了整整三年，有英式口语，也有美语，因为都可以听得懂，不觉得有太多区别，对于我英式发音比美语不那么容易听懂。对于幽默，我觉得老外和中国人都一样，该笑的地方都笑，没有太多地域差别。

两个老头在一起生活了48年后的晚年逗趣生活，喜剧的高明在于笑料里很多真谛和真相，笑过之后还会回味。
除了喜欢这两个老头，还特别爱那个健忘的老奶奶，可爱死了。
另外，每次开场斯图亚特给母亲编谎话的电话，也是一个盼头，怎么能编48年呢，真是让人唏嘘。

我们的电视拍不出这样的内容和东西，但是还好网络上还是让放了；
而我们的演艺明星里少有晚年的题材还能如此受到广泛关注，更没有那个电影节在中华大地上能让老年影星获得最佳男女主角的，只看小鲜肉。

社会发展的阶段不同吗？
不知道。

Q: What drew you to Vicious?

A: Derek and I arranged a reading with friends. We went round to Derek’s and read the script, and our friends laughed all the way through. I thought, “Aha, it works.” Its aim is to entertain people by making them laugh, and once I realised it did, I was very glad to do it.

Q: Please describe your character for us.

A: Freddie is a pain in the neck, but he’s also a survivor. He’s game. He’s always up for it. He is also honest and is not afraid to speak his mind. I really do like Freddie.

Q: How would you characterise the relationship between Freddie and Stuart?

A: It’s a relationship of long standing. They have fallen into the habit of being horrid to each other. Although they’ve got into this habit, they clearly still love each other in the way that people who have been together for nearly 50 years do. They’ve survived. Anyone who was gay in the 1970s was rather heroic -‐ when Freddie and Stuart first knew each other, it was actually illegal. But they’ve come through thick and thin together, and are still incredibly close.

Q: Do they like to keep the rest of the world at bay?

A: Yes. They are not aware of much outside their own flat. They keep their curtains closed to shut out the outside world. The serious point is that for much of their lives they have had to live privately.

Q: Do you think this show will shock some people?

A: No. It’s not aiming to shock people. It won’t alarm anyone. It isn’t a satire or an expose of gay life. These characters just happen to be gay. For me it is as if TV has grown-‐up. In the past gay characters in sitcoms have been figures of fun. They were funny because they were gay. But I like the fact that these characters are funny because of the people they are. That’s a real advance.

Q: What do you think its appeal will be?

A: I think it’s a family show that will get the broadest possible demographic. Old people will respond to it and see themselves in it, gay people will respond to it and see themselves in it, and the rest will respond to it and see themselves in it. Everyone will be able to relate to these characters. It wasn’t meant to be a gay or an old audience.

Q: Have you enjoyed the studio recordings?

A: Very much so. Initially it seems confusing because as a theatre actor you think the audience is out there. But you have to remember that you also playing to an audience down the camera. You have to rely on the wonderful director, Ed Bye, who is a veteran of this type of comedy, to make sure you get the level right. Also at first it’s worrying as you think, “Am I going to remember the lines?” In the theatre, you have more rehearsal time, and in film you can stop and start. But with this, you just have to keep going. However, it’s really useful to have the studio audience there because they tell you exactly what’s funny.

Q: How have you found it working with Gary Janetti?

A: It’s been wonderful. It’s a fairly traditional sitcom which reminds me of The Golden Girls or I Love Lucy. Gary is very, very alert to what’s comedic. He writes hythmically and with great accuracy. He is very particular that we speak the lines exactly as they are written, in order to elicit a laugh. He’s marvellous to work with. All in all, it’s been a bit of a love-‐in!

Q: What are the advantages of casting you and Derek as Freddie and Stuart?

A: We don’t have to pretend we’ve known each other for 50 years because we have. It was a great relief when I saw the first episode and Freddie and Stuart looked as if they’d been together forever. That ease with each other is essential to the show. Some people will be delighted that Derek and I are making fun of ourselves. We’ve had a ball making Vicious. It’s been an absolute delight.