叶飞莫名其妙被一个美女杀手一路追杀,险象环生,这时有人冒充是哥哥叶风的人将他救出。叶风通过密文向叶飞传递出信号,让他尽快逃生。然而一头雾水的叶飞无法放弃唯一的哥哥,在经过重重魔鬼式训练下终于克服了自己懦弱胆怯的性格,踏上寻找叶风营救亲人的危险旅程,因此却牵扯出了上古的神秘力量以及拥有这种力量的五大家族之间的明争暗斗,叶飞在异能朋友的帮助下,开始有了蛛丝马迹,真相也慢慢浮出了水面,然而结局却完全出乎了他的意料······
震震有词2022漫漫向北哗!英雄龙女降妖记美女“如云”双重生活热力四射2热浪最后的警官:夺还黑神驹2020绝对男友大话仙宫神龙车队火星1号跟红顶白大三元扬名立万一根木头 第二季血宴保姆凯萨里逃离夺命岛铁腕行动长跑者的寂寞太行赤子手提箱杀手:梅兰妮·麦奎尔的故事英村脑残故事第一季克朗代克2022一屋高才生初音岛 S.S.警察锅哥2画江湖之不良人6独立日2:卷土重来猎毒者马里乌波尔 - Ⅱ白考尔回忆鲍嘉李后主与赵匡胤真情年代亨利巴塞罗那,冬日星辰圣母院无限斗界之暗夜双龙我不是大明星一亿日元的再见寅次郎的故事10:寅次郎美梦成真拯救小兔少女与战车最终章第4话第6届#法罗岛电影节#酷儿火车单元为大家带来午夜展映的《鸟类学家》,下面为大家带来前线鸟学家异变神秘的宗教评价了!
果树:
里边应该有很多基督教隐喻,我一个也没看懂,但也不妨碍我喜欢全片呈现出的既魔幻又写实的神神叨叨的质感。
曲有误:
无神论的宗教之行,异变的神秘感,福音。
汤达人:
这种宗教性,即使不懂也很好看,这种神秘性反而更诱人。
fire_storm:
无神论者的奇幻森林之旅,虽然对森林元素的使用显得比较钝,但孤独漂流的感觉足够令人沉迷。后半段隐晦但又足量且劲道十足的宗教寓意真是超级带感。
法罗岛岛主:
整部电影有效剧情仅仅是和“耶稣”做爱那段,其他的皆是内容不足形式有余。
血腥爱情故事:
宗教片我珍的失去鉴赏能力,等我提高审美以后吧。
我略知她一二:
你一定要相信我,有些事情我们不必试图理解,他们势必发生,我们必须相信。灵魂之火是我们永远理解不了的奥秘,但一定要让他在我们内心自由自在的燃烧。当他控制了一个灵魂,便会将它填满,将它变成能够蔓延至他人的火焰。
#FIFF6#酷儿水晶火车的获奖者将于今晚闭幕式颁奖典礼为大家释出,请大家拭目以待了。
节选自
O Ornitólogo – An Interview with João Pedro Rodrigues – August 11, 2016byJeremy Elphick|Locarno Film Festival
Q: There was clearly a lot of sexual undertones and overtones throughout the film, but I felt like there were a lot of allusions to a more politicalpart of that sexuality identity. I’m not sure if I read too much into the part of the story where he has to take these pills to stay well, but yeah, I felt it was referencing AIDS treatments, and with the song at the end, I wasn’t too clear on it but the closing song is a piece that emerged from a certain context.
A: Not really the song, but what it has … The guy who made that song was a pop singer from the 80s in Portugal, and he was also a hairdresser. He was a very flamboyant guy, very weird guy but really great. He was one of the first, I don’t know, cases in Portugal that you knew that he died with AIDS. The song talks about loneliness, basically. It’s called … what is it called in English? Something like the cruising song? It’s about people meeting and not knowing each other being alone and not wanting to be alone.
Q: Did thesemore like political kind of histories fed into how you wrote any part of the work at all or if that was just a coincidence thing that—
A: No, it wasn’t a coincidence because for me, it was … it was also connected with my personal life because he was an important singer for me and when I was growing up. I think these things, they keep up coming and when I thought about the scene and when I shot it, I really felt that song was the ideal song for … in the film, in the end, there’s this happy ending but it’s like an afterlife happy ending, because they die and resurrect several times throughout the film. You don’t really know if it’s real life or not but the song, at the same time, is about being together but being together but being, at the same time, alone. I think in relationships, there’s always that contradiction of … I don’t know. Perhaps I feel it like that, like in homosexual relationships, there’s the fact that you’re with a man and it’s like same gender. We’re looking for something that is the same but at the same time, it’s like you’re looking for an image of your own self. I don’t know. Perhaps it’s also me and perhaps it’s also my age, and so that I … how can I put this? There’s a tone that the song gives that, for me, it’s very truthful to being together and wanting, at the same time, to be alone. I don’t know. I think there’s always this contradiction when you’re together. I thought that it was a really perfect and beautiful way to end the film. I think I gathered everything I’d seen in the competition so far. It was the ending that I was watching and I just like, “This makes complete sense. It’s the way the finish this film,” and it was just such a interesting mixture of feelings to watch it. Because the end went very fast.
万物皆有灵,自然即神迹,飛禽走獸如影随,耶穌喜欢男孩子~
后半段较好吧。第1部分蜘蛛精vs唐三藏,第2部分黑熊精相爱相杀偷袈裟,第3部分狩猎女神戴安娜?第4部分乌鸡国国王起死回生。最终章圣安东尼几分布努埃尔“沙漠中的西蒙”。
又蠢又作自我陶醉版「热带病」,但拿他和邦哥比实在太不尊敬。戴个天狗面具跳大神撒尿那段可入选年度被门夹段落。宗教与原始性冲动滥交至此,在割除观众的大脑之前,请先放过符号吧。
天啊竟然有人觉得这片不好看!我都爱死了。一个无神论者在信仰丛林里穿行,嗯其实不只是无神,也无cliche无教条,一个简单又无从捉摸的人…各种脑洞大开的设定都在凸显这个无设定的人,多妙啊。而且前1/3鸟的视角镜头,立刻想到希胖的群鸟啊!这是第一个在希胖之后把鸟视角拍得这么剑拔弩张的人。
误入诸神的国度。
不明觉厉的信仰寓言。跟“湖畔的陌生人”相比故事走向完全无迹可寻。导演在幽深的自然中沿路撒下宗教神性的面包屑,让人目瞪口呆又嗨得飞起~~~anyway我敬你是神作!(有基督教背景知识再看最好)
3.5;从凝视到被凝视,从无知无畏到化身为神,绿意逶迤的苍茫森林里万灵骚动,一段隐秘的朝圣之旅与心灵冥想;黑处有恶灵(心结),亮处有大洪水之后的白鸽(鸽眼视角=上帝视角),望远镜视线构图,丢弃身份,耶稣肉身引渡,终成圣安东尼。
年度脑洞/不知所云片。隐喻啥的太明显了也不算隐喻了,感觉导演也没个重点吧,你们看这片子有以下元素:异域、宗教、跳大神、人与自然、国家地理、花鸟虫鱼、攀岩、游泳、凶杀、搞基(但真没有湖边的陌生人好看)…
东京电影节的热门影片「Ornithologist」,影片怎说先不提,散场以后导演 João Pedro Rodrigues 来做Q&A。有一个日本观众说「可能因为是我是日本人的原因,看到您电影里面的同性场面我都震惊了,请问您借此想表达什么?」导演说「这...那...」
影像重叠、人鸟主观镜头转换、阿彼察邦,最后混入了基督教?……基督教神棍还是两个中国女孩?放屁吧!
除了满足观众猎奇心态与口味,不算是好电影。
葡萄牙宗教形象的当代诠释,也是一个无神论者的信仰之旅,从观鸟到遛鸟最后变成鸟,很飞很好看。
年度最猎奇的观影体验,看到有人说像杜蒙,顿时恍然大悟,旧有《情色沙漠》,现有《情色雨林》,宗教符号=性符号。
要不是这男的身材好,我是很难坚持看完一部宗教片的。
鸟类学家的鸟很大。
不是看见裸体日光晒就得提阿兰吉罗迪,看见丛林就扯阿彼察邦。这显然更应该是一部十字架电影,虽然表面上它拍的是鸟,但人工呼吸之吻和聋哑人的梗还是深深出卖了它,要认祖归宗的话,个人觉得源头在杜蒙那里。
你被神的使徒营救,死而复生,见证了神祗;你和耶稣交欢,又杀死了他;你被斥责为无神的诅咒,却偏偏得到宗教的庇护。鸟只不过是穿起信仰路上的符号,同性无神论者的信仰之旅才是主题。不要用逻辑思维去思考神性电影,别忘了男主忘了吃药:)男性肉体的展示颇多,美到起飞,有种圣巴斯蒂安的仪式感。
我怎么觉得是一个同性恋的自我发现之旅(从中段享受被淋尿开始?)?不管怎样,拍得太忸怩造作了,全程犯困,心疼自己
4 又一部“野味同志片”,不过跟《保持站立》相同的,导演私人口味之外更多的是对“形而上”的讨论,而且这部要更飞,主人公在与鸟类一个个对称视角切换中一步步由无神论的观察者变成了掌握命运的神。男性身体美的欲盖弥彰,全部闪耀在了臀部细毛中夹杂着的沙粒,与清晨鸟叫中洁白遮羞布下的傲然挺立。
混杂着宗教、同性、感官主义元素的丛林怪奇物语,有些地方导演处理得极其个人化,以至于显得晦涩。